This paper investigates the recently increased application of photogrammetric digital 3D modelling to underwater archaeology by reviewing its application and development on seminal underwater archaeological projects as a key recording… Click to show full abstract
This paper investigates the recently increased application of photogrammetric digital 3D modelling to underwater archaeology by reviewing its application and development on seminal underwater archaeological projects as a key recording tool. It is argued that underwater archaeologists are currently in a phase of ‘digital realism’ that has the potential to inhibit our ability to truly understand and use image-based digital 3D models to communicate effectively. Relevant theories relating to photography, visualization, and interpretation are investigated, highlighting the influence that vision has on data collection and knowledge creation. A series of recommendations are made for underwater archaeologists to spark discussion and move beyond this current phase of digital realism.
               
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