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Cathryn Spence. Women, Credit, and Debt in Early Modern Scotland. Gender in History. Manchester: Manchester University Press, 2016. Pp. 207. $125.00 (cloth).

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the home women were advised to use gunpowder to ward off bugs, season meat, and cure toothaches. Gunsmiths even accommodated their female clients by producing lightweight versions of their products,… Click to show full abstract

the home women were advised to use gunpowder to ward off bugs, season meat, and cure toothaches. Gunsmiths even accommodated their female clients by producing lightweight versions of their products, though this occurred mainly on the Continent. A striking example from this section, which shows Schwoerer’s dexterity with early modern symbolism, is her detailed description of the portrait of Lady Teresia Sherley (1590–1688), one of the few depictions of an Englishwoman holding a gun. Portraits of gun-wielding aristocratic children, some as young as two years old, show that English youth were exposed to guns as well. They learned about firearms by using them and by playing with toy guns and cannons that could be fired, the most common of all early modern English toys. Yet the distinctions that Schwoerer draws regarding gun use among men, women, and children, combined with the book’s rigid structure, leads to some repetition. Gun accidents and crimes against men, women, and children are covered in successive chapters (7, 8, and 9), but the conclusions drawn in each instance are similar. The new invention certainly influenced each of these groups, but it matters little if the victim of a misfire was a sixteen-year-old boy or a twenty-year-old man. These topics might have been discussed together, though they certainly prove that guns were commonplace among various demographics. Schwoerer also understates the significant backlash that Elizabethan gun advocates faced from authors who remained steadfast in their support of the longbow, England’s traditional weapon of choice. She cites Sir John Smythe’s Certain Discourses Military (1590) as a pro-bow tract, but seasoned soldiers like Sir Henry Knyvett and Thomas Churchyard, along with mathematician Thomas Digges, also argued that longbows were more effective than guns. Even if these writers were more concerned with the military matters that Schwoerer intended to avoid in her book, the fact that guns were loud, heavy, inaccurate, expensive, and slow to fire in comparison to longbows also would have influenced civilian buyers. Clarifying in greater detail the process by which guns overcame the well-entrenched bow would have further strengthened an already well-supported thesis. One of the clearest indications of a nation’s gun culture are its weapons-related laws and statutes. Within a century of their introduction in England, Henry VIII outlawed concealed firearms due to a spate of high-profile murders. In 1548 his son Edward VI devised a registration system stipulating who was qualified to use guns, which “highlights the government’s desire to strengthen its control over who was qualified to shoot” (49). The modern British gun massacres that gained Schwoerer’s attention similarly convinced the British government to enact the 1988 and 1997 Firearms (Amendment) Acts that banned several types of guns in the United Kingdom excepting Northern Ireland. The United States soon may follow suit, as the nation is plagued by the same gun accidents, suicides, crimes, murders, assassinations, and mass shootings that arose in England five centuries ago. By elucidating this troubled history, by making such connections across time and space, and by asking the big questions, Schwoerer has crafted the definitive work on civilian gun culture in early modern England.

Keywords: gun; cathryn spence; manchester; history; early modern; spence women

Journal Title: Journal of British Studies
Year Published: 2017

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