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From Miracle to Mirage: The Making and Unmaking of the Korean Middle Class, 1960–2015. By Myungji Yang. Ithaca, NY: Cornell University Press, 2018. 183 pp. $ 45.00 (cloth).

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In From Miracle to Mirage, Myungji Yang challenges one of the prevalent narratives of modern Korea—that of South Korea’s spectacular economic growth. In this timely study, Yang seeks to explain… Click to show full abstract

In From Miracle to Mirage, Myungji Yang challenges one of the prevalent narratives of modern Korea—that of South Korea’s spectacular economic growth. In this timely study, Yang seeks to explain the apparent contradiction of middle-class dissatisfaction, epitomized in recent “Hell Chosun” discourse, amidst the well-known transformation of South Korea from “a poor, war-shattered nation into one of the world’s most successful economies within a mere generation” (p. 5). For Yang, these two extremes are in fact related phenomena, and her study deftly traces the roots of middle-class anxieties regarding downward mobility back to the very processes that fueled growth in the 1960s and 1970s. As Yang explains, urbanization and property speculation, particularly in the exclusive Gangnam region of Seoul, opened avenues to a middle-class lifestyle for some while simultaneously preventing others from achieving similar levels of wealth and consumption. Yang thus highlights the internal divisions within the South Korean middle class, and, in the absence of a comprehensive social safety net, the inadequacy of standard prescriptions for social mobility—education, thrift, and hard work—to bridge the socio-economic gap felt by middle-class households. Yang’s study comprises three main chapters. Chapter One outlines the early middle-class discourse of the 1960s. Coming out of the devastation of the Korean War, the middle class was not a pre-existing, well-defined, social group. Rather, Yang argues that the middle class emerged as a political and cultural project shared by both the authoritarian state and mass media. As such, the Korean middle class represented several goals at once; while the state promoted a model of diligence and thrift that might build a stable, anticommunist nation-state, the mass media helped to create aspirations of middle-class affluence and participation in a new consumer culture. Crucially, Yang notes that this discourse did not describe an existingmiddle class as much as it functioned as a shared myth that hardships in the present would be rewarded through future social mobility. Chapter Two describes one of the major outlets for middle-class aspiration in the late 1970s: apartment living. As the construction of apartment complexes took off in the 1970s, Gangnam in particular came to symbolize an upwardly mobile middle class thanks to government policies which relocated elite high schools and government offices, improved transportation and infrastructure, and provided numerous incentives for chaebol to develop the area. Gangnam apartments thus gained a dual significance for the aspiring middle class. On the one hand, the booming Gangnam real estate market provided residents with greater opportunities for wealth accumulation, even compared to other middle-class households who happened to live in less-fashionable districts. At the same time, a Gangnam apartment also gained cultural significance as a ticket to better educational opportunities, social networks, and membership within a “civilized” community, cementing Gangnam’s importance for residents’ class reproduction. Chapter Three follows the impact of the 1997 financial crisis on the middle class, both economically, in terms of post-crisis unemployment and labor market reforms, and psychologically, in the rise in middle-class anxieties and frustrations. While these problems came to the fore in the aftermath of the financial crisis, Yang traces them back to the inequalities embedded in the 1970s Journal of East Asian Studies 19 (2019), 131–139

Keywords: middle class; class; miracle mirage; myungji yang; korean middle

Journal Title: Journal of East Asian Studies
Year Published: 2019

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