LAUSR

In 1936 Mussolini's fascist regime embarked upon an ambitious plan to hold the 1942 World's Fair in a newly built city south of Rome. At the peak of construction in 1939–40 an army of 5,000 workers laboured to complete the city in ‘record time’. The labour utilised to build the new city became a critical public spectacle in the final years of fascist rule, highlighted in films, covered by the press and featured on the itineraries of Rome's most important visitors. This activity was guided not just by the construction of buildings but also the purported fabrication of a distinct Italian fascist worker subjectivity. With the aim of fashioning pliant workers lacking in proverbial ‘class consciousness’, fascist thinkers publicly exhibited Italian workers as fixed within a ‘natural’ hierarchy of ancient Roman origin. In these renderings of the ‘new’ worker, class antagonisms in the modern division of labour were replaced with illustrations of exemplary sacrifice to familial and interpersonal authority with the function of subsuming ‘class interests’ to both employers and the state. In spite of these narratives, fascist aims regularly encountered limits when confronted by real workers, as yielded by an examination of responses to the regime's mandates within the built environment. Although workers never fully embodied this new ‘interiority’, the regime was successful in grounding cultural norms in a constrained field of practice, generating a framework for the domination of labour.