This article examines how Ivy Queen deploys particular codes of masculinity and femininity in her music and performances. By drawing comparisons with other singers, I analyze what this deployment reveals… Click to show full abstract
This article examines how Ivy Queen deploys particular codes of masculinity and femininity in her music and performances. By drawing comparisons with other singers, I analyze what this deployment reveals about gender and its role in reggaetón, in music more generally, and in mass culture. I argue that Ivy Queen’s particular engagement with gender opens up a space to interrogate gender norms and their relationship with power in the consumption of mass cultural forms.
               
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