LAUSR

Significance Are we all imagining the same thing when we listen to music, or are our experiences hopelessly subjective? This research analyzes the similarity of responses from 622 participants in three locations on a highly unconstrained task: free-response descriptions of the stories they imagined while listening to instrumental music. Strikingly, participants in two separate locations that share an overarching culture imagine highly similar narratives to individual excerpts. But these similarity patterns do not extend to narratives imagined by participants in a third location with a distinct culture. This work shows that music—often considered an “abstract stimulus”—can trigger shared stories in listeners’ minds but that this intersubjectivity depends on a shared underlying culture. The scientific literature sometimes considers music an abstract stimulus, devoid of explicit meaning, and at other times considers it a universal language. Here, individuals in three geographically distinct locations spanning two cultures performed a highly unconstrained task: they provided free-response descriptions of stories they imagined while listening to instrumental music. Tools from natural language processing revealed that listeners provide highly similar stories to the same musical excerpts when they share an underlying culture, but when they do not, the generated stories show limited overlap. These results paint a more complex picture of music’s power: music can generate remarkably similar stories in listeners’ minds, but the degree to which these imagined narratives are shared depends on the degree to which culture is shared across listeners. Thus, music is neither an abstract stimulus nor a universal language but has semantic affordances shaped by culture, requiring more sustained attention from psychology.