LAUSR

Over a decade after Hurricane Katrina struck New Orleans, publics continue to come to terms with the tragedy. Isabelle Cossart, owner of “Tours by Isabelle” and survivor of the hurricane, began offering disaster tours of the affected areas after taking note of people’s desire to see the damage and contemplate its effects. Public accounts of Cossart’s business suggest that people make sense of disasters symbolically via tourism. Cossart’s post-Katrina disaster tours belong to a wider form concerning disastrous events springing from anxiety over how to respond, followed by agency-driven strategies for coping. This discursive dichotomy of disaster/agency is grounded in a homologous discourse of uniqueness versus copy in Walter Benjamin’s essay, “The Work of Art in the Age of Mechanical Reproduction.” Through publicly available information on “Tours by Isabelle,” this article compares subcategories of disaster, Cossart’s tours, and works of art, and explores how people make sense of disaster symbolically.