LAUSR

AbstractThis article examines the role of “independent” folk music (indie-folk) in personal identity formation. It builds upon Paul Ricoeur’s theory of narrative identity, which argues (i) that it is through the mechanism of narrative that people build a more or less coherent life-story, and (ii) emphasizes the role of art (most notably literary fiction and poetry) as a mediator in the comprehension and regulation of transitory life experiences. This article aims to apply these insights to studying the role of indie-folk, a narrative art form adhering to the traditional understanding of folk music as a genre rooted in oral tradition, in the construction of personal identity. Studying the daily use of indie-folk songs by audience members through in-depth interviewing, it shows that (i) the reception of indie-folk music results in ritualistic listening behavior aimed at coping with the experience of accelerating social time; (ii) that respondents use indie-folk narratives as resources for reading the self, ...