LAUSR

ABSTRACT The influence of minimalism, along with other phenomena associated with experimental music, has been present in the Hungarian contemporary scene since the mid-1970s. The fifty-year history of Hungarian music includes experimental compositional techniques that, in addition to minimalism, also show Cagean principles of silence and musical process. More recently, these works feature postmodernist traits, such as folklore, jazz, and pop music, as well as musical quotations, allusions, and literary associations. This study highlights the most significant works of the rather isolated Hungarian minimalism, focusing on music that bears the characteristics of the Hungarian cultural environment and elements of individual compositional ideas. The diverse repertoire discussed in the study not only shows minimalist influences but also offers an overview of compositional styles that had a significant impact on the Hungarian music scene at the time of their appearance and are noteworthy for international attention.