LAUSR

abstract The historical contours of South Africa are mapped with racism, political conflicts, social and economic inequality and gender inequity. One of the less acknowledged gender inequities is the imbalance in the gender representation of women in theatrical performances. This article is written through a lens that aims to question and challenge the apartheid and colonial legacies that have created race and gender disparities in the South African theatre industry. It reflects on how the Camagu Theatre and Dance Festival is a significant platform for black theatre makers in South Africa to reclaim the stolen memory of their cultural history. In illustrating the importance of creating an alternative festival that forges new narratives that strive to be truly reflective of the culture, heritage and languages of black South Africans, the article will describe how black female theatre practitioners from the Free State are changing the trajectory of South African theatre. I attempt to articulate the urgency of telling stories in indigenous languages in order to preserve and document our narratives and decolonise theatre practice in South Africa.