LAUSR

ABSTRACT What role do museums play in elevating the Sixth Mass Extinction Event within public consciousness? How is an increasing awareness of human-made extinctions and global biodiversity loss transforming the representational techniques employed by natural history curators? And what are the prevailing ideologies and emotional registers of contemporary exhibitions about anthropogenic extinctions? This essay answers these questions by analysing how recent natural history exhibitions communicate the Sixth Extinction through the affects of grief, loss and sadness. By unfolding a tripartite analysis, one which brings together natural history curatorial practices, theoretical critique from critical heritage studies and environmental humanities, and anti-institutional activism from groups such as Extinction Rebellion, I make the argument that while these exhibitions have the potential to develop posthumanist practices of curation that disrupt the dominant anthroponormativity of natural history, there remain unresolved questions surrounding their representational reliance on mourning.