LAUSR

ABSTRACT In recent years, family history research has become a popular activity for many Australians. This imperative to connect with our ancestors extends into the field of literary production. In this essay, we examine one prominent novel that reflects this movement, Andrew McGahan’s The White Earth (2004). Looking through a lens of family history and historiography, the novel asks questions about postcolonial belonging, inheritance, and the violent foundations of the nation. McGahan’s young protagonist, William, stands to inherit a vast but crumbling property on the Darling Downs in Queensland. As William discovers more about the land, he comes into contact with both his own white pastoralist ancestors, and the powerful Indigenous spirits who inhabit secret and sacred spaces in the landscape. We argue that William’s encounter with secret family histories produces the hysteria at the climax of the novel, when the repressed violence of the past returns to haunt the present. Confronted with hidden knowledge, William—and, by proxy, the reader—is called to reconsider inherited histories in light of contemporary historiographies. The move towards knowledge of the family’s origins is a realisation of the complexity of the white Australian relationship to the land and its first inhabitants.