LAUSR

ABSTRACT Octavia Butler's 1979 novel, Kindred, is a postmodern slave narrative that redefines the previous literary constructions of slavery in the United States. Through its rejection of the nineteenth century slave narrative and sentimental novel, Kindred highlights the main problem with nineteenth century narrative empathy: Forging an intimate identification between reader and character to enact empathy is founded through the representation of bodies in pain. In place of this identification tactic, Kindred reveals a new critical apparatus, essential for a mobilization of empathy centered on understanding both history and the process of historical recuperation. This investigation of empathy sheds light on the problematic construction of the early liberal human rights model across the Americas, a model centered on promoting identification with the suffering other.