LAUSR

ABSTRACT George Walker's March 1840 article for Fraser's Magazine entitled ‘Chess Without the Chess-Board’ outlined the history and method of blindfold chess (or chess-play without sight of the board and pieces). Arriving as chess was becoming increasingly visible within nineteenth-century literary and urban culture, Walker's essay covered familiar issues on the topic concerning spectacle, utility, and bodily and mental damage, as well as furthering his own concerns with the history of the game and the possibility of expanding participation. This assessment of ‘Chess Without the Chess-Board’, part of wider research concerning chess in urban and literary modernity, complements research published in the author's monograph on the cultural chess-player and previously within Sport in History. Prominent themes of Walker's article include the multiple identities of the blindfold chess-player and the game’s ever-changing relationship to standards of respectability. ‘Chess Without the Chess-Board’, offering a lengthy ‘how-to-play’ to the beginning player and outlining the national prestige and celebrity of historical blindfold chess-players, also presents a potentially disreputable reading of practice and player, denying any wider social utility.