LAUSR

Abstract Published in the German architectural magazine Bauwelt at the end of 1934, Leitl’s article introduces recent buildings in Northern Germany by the Bavarian architect Emil Egermann (c. 1894–1960s). The article presents the buildings exclusively through drawings and black-and-white photographs. The images show the buildings within the local landscape and architectural details that stress the simplicity of the modern designs and the liveability of the buildings. Leitl argues that Germany has given birth to two versions of modern architecture depending on whether one looks at Northern or Southern Germany. The author’s sympathy lies with the southern German version of Modernism that draws on traditions as opposed to the northern German version that adopts ideologies such as functionalism.