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State Theory from the Street Altar: The Muscles, the Saint and the Amparo

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What are the effects of state practices at the street level? Instead of asking: What is the state, where is it located, or what does it do? This paper identifies… Click to show full abstract

What are the effects of state practices at the street level? Instead of asking: What is the state, where is it located, or what does it do? This paper identifies state traces in three urban neighborhoods of Mexico City. By ethnographically and visually describing how protection is performed, the paper argues that the state is not only “somewhere” in specific functions, actors, or institutions. The state also has materialized effects produced by a web of conflict-ridden relations. Discussion about the state in the global South generally revolves around its failures and its informality. The proposal here is that by analyzing the state from the standpoint of urban space, the question is not whether the state works or not, or whether actors are formal or informal. The question now becomes: how is protection performed and through which operations, relations, objects and actors. Based on ongoing ethnographic work and a collaboration with two visual artists in Mexico City, the paper analyzes three protective processes: “muscles” (involving actors such as police officers, gang leaders, and fathers and husbands), the “saints” (involving caring for statues of various saints and other clientelistic chains), and the “amparo” (involving the rule of law in a personalized manner for the management of interpersonal conflicts). These three sets of practices are embedded in the history of state formation since colonization.

Keywords: state; altar muscles; state theory; theory street; street altar; muscles saint

Journal Title: International Journal of Urban and Regional Research
Year Published: 2018

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