LAUSR.org creates dashboard-style pages of related content for over 1.5 million academic articles. Sign Up to like articles & get recommendations!

Parody after identity

Photo by tanya_kukarkina from unsplash

The FOKN Bois are an irreverent, cosmopolitan hip-hop duo from Ghana. They came to fame as part of the digital-music boom centered in Nigeria that has dominated African popular culture… Click to show full abstract

The FOKN Bois are an irreverent, cosmopolitan hip-hop duo from Ghana. They came to fame as part of the digital-music boom centered in Nigeria that has dominated African popular culture since the mid-2000s. Their most popular track, “Thank God We're Not a Nigerians,” mocks the national rivalry between Ghana and Nigeria and the idea of national allegiance itself. The song's production and circulation reveal that digital parody is increasingly central to how a rising generation of urban Africans live. Through sounds and images circulating on social media, young cosmopolitan Africans rely on a smartphone-driven social media–scape to reimagine national territorial identity in virtual terms. The FOKN Bois’ work shows that uncertainty and contradiction can be modes of knowing.

Keywords: parody; identity; parody identity

Journal Title: American Ethnologist
Year Published: 2017

Link to full text (if available)


Share on Social Media:                               Sign Up to like & get
recommendations!

Related content

More Information              News              Social Media              Video              Recommended



                Click one of the above tabs to view related content.