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Different priming effects of empathy on neural processing associated with firsthand pain and nonpain perception

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The shared‐representation model of empathy is still debated. One of the major questions is whether empathy‐eliciting stimuli depicting others’ pain selectively activate the representations of self‐pain. To address this issue,… Click to show full abstract

The shared‐representation model of empathy is still debated. One of the major questions is whether empathy‐eliciting stimuli depicting others’ pain selectively activate the representations of self‐pain. To address this issue, we assessed the priming effects of empathy‐eliciting pictures on firsthand pain and nonpain perception, as well as its associated neural processing. In Experiment 1, when compared with nonpainful pictures depicting individuals’ body parts with no injury, participants primed by painful pictures showing individuals’ body parts with injury reported higher ratings for perceived intensity, unpleasantness, and salience of nociceptive and auditory stimuli, but they only exhibited increased N2 amplitude in response to nociceptive stimuli. In Experiment 2, the results from another group of participants replicated the observations of Experiment 1 and validated the findings in the non‐nociceptive somatosensory modality. Importantly, participants’ concern ratings for priming pictures predicted their unpleasantness ratings for subsequent nociceptive stimuli, while participants’ attention ratings predicted their unpleasantness ratings for subsequent auditory and tactile stimuli. This finding implies that empathy for pain might influence pain and nonpain perception via different psychological mechanisms. In summary, our findings highlight the existence of pain‐selective representations in empathy for pain and contribute to a better understanding of the shared‐representation model of empathy.

Keywords: pain nonpain; priming effects; nonpain perception; pain; effects empathy

Journal Title: Annals of the New York Academy of Sciences
Year Published: 2021

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