Based on their meta-analysis, Schäfer and Mehlhorn argue that the weak relationships identified indicate that personality is a poor predictor of musical taste. The present research challenged this by measuring… Click to show full abstract
Based on their meta-analysis, Schäfer and Mehlhorn argue that the weak relationships identified indicate that personality is a poor predictor of musical taste. The present research challenged this by measuring personality aspects rather than the Big Five domains and also political orientation. A sample of 157 university students aged 17 to 55 years (M = 24.60, SD = 7.63) completed measures of musical taste (Short Test of Musical Preference [STOMP-R]), personality (Big Five Aspects Scale [BFAS]), and political orientation (International Personality Item Pool [IPIP] Liberalism). Responses to the STOMP-R produced four factors, labeled Intense, Rhythmic, Established, and Mainstream music. Hierarchical multiple regression indicated that, in comparison to domains (R2 range = .12–.23, p < .05), aspects of personality were better predictors of musical taste for three of four musical dimensions (R2 range = .20–.28, p < .05). Both the aspect and domain models included political orientation. Conflicting correlational relationships within domains were responsible for weaker relationships at the domain level. Aspects of intellect, openness, assertiveness, compassion, politeness, and also political orientation were unique predictors of musical taste across the four dimensions. Personality aspects and political orientation were superior predictors of musical taste in comparison to personality domains. Future research should investigate these aspect-level relationships in more diverse samples.
               
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