LAUSR

This article examines the genesis and development of the Festival of Political Songs ( Festival des Politischen Liedes) in East Berlin under the German Democratic Republic from 1970 to 1990, looking at it as one of the main engines of the German Democratic Republic-musical field in the last twenty years of its existence. In this regard, the analysis of the empirical material (in-depth interviews and video recordings) serves first to outline the main social and cultural processes which interested the Festival from its inception to its end, and second to reflect upon some specific features of the Festival as an ‘extraordinary event’ in light of Bourdieu’s concept of field. Departing from this perspective, I examine the genesis and development of the Festival, focusing especially on the contrasting effects produced by its institutionalization and internationalization and the ways these impacted both the Festival and the musical field: from the creation of music scenes, to the development of professional careers in different fields of cultural production and the mixing of mainstream and alternative musical trends. The final aim is to highlight the different understandings of publicness and openness associated with the Festival that defined its social, spatial and emotional structure during its twenty-year lifespan.