LAUSR

ABSTRACT:Cultures around the world are replete with images of women as the epitome of love, kindness, patience, and similar virtues, owing to their ability to give birth. Consequently, those who cannot give birth due to medical conditions are stigmatized and made to feel inadequate and deviant. Although infertility is a gender-neutral health predicament, it is women who encounter severe abjuration. Cultural scripts that glorify childbearing and stigmatize infertility impact the afflicted adversely as they destabilize their identity and aggravate their suffering as a patient. Graphic medical narratives on infertility, such as Paula Knight's The Facts of Life (2017), Emily Steinberg's Broken Eggs (2014), and Phoebe Potts's Good Eggs (2010), reflect on these issues and, in the process, illuminate how infertility fractures women's identity in a pronatalist society. This essay explores three graphic pathographies on infertility through three major themes: pronatalism and the social construction of motherhood, the absolutism of science, and alternatives to motherhood. The essay argues that the use of comics and graphic medicine, by combining visual and conceptual modes, presents the social, personal, and medical features of infertility with new force and urgency.