LAUSR

This paper aims to understand the political role of Assamese traditional performance ‘Bihu’ during Assam movement in 1979. It argues that beyond its role as Assamese cultural identity, ‘Bihu’ had transformed itself into a political space and fueled upon expanding the idea of Stage Bihu. While looking at the performance as medium of political messaging, the paper brings together the three specific case studies seemingly unknown in the documented cultural history and located in the rural Assam. The idea is to comprehend the larger scope of traditional performance in accommodating political events. The debates are being weaved together through theoretical frames of historian Eric Hobsbawm’s ‘Inventing tradition’ Thomas Postlewait’s ‘theatre event’ in order to see the transformation and changes within the repertoire of Bihu. The paper tries to resurrect an alternative historical discourse, often neglected by the dominant historical cannons.