The study examines the ironic and critical function that the “meta” reflection plays in dramatic and narrative works. In particular, a comparison is made between the metatheatrical strategies used in… Click to show full abstract
The study examines the ironic and critical function that the “meta” reflection plays in dramatic and narrative works. In particular, a comparison is made between the metatheatrical strategies used in Golden Age comedies and the metaliterary discourse proposed by Cervantes in Don Quixote . These self-reflexive elements form part of a ludic structure of detachment and complicity that creates a dynamic and interactive relationship among author, characters and receiver. The main vehicle of this communication is the meta-character, which is projected outside the conventional confines of the work to dialogue with the spectator or the reader and to question the author’s control.
               
Click one of the above tabs to view related content.