LAUSR

Kress and van Leeuwen showed that the visual could be considered as a semiotic mode, and developed a systemic-functional model of visual meaning. Drawing on Painter’s, Martin’s and Unsworth’s adaptation of their model to picture books, and on Panofsky’ approach to iconology, this paper contends that recycled images conceal different levels of meaning and function as palimpsests. The first part presents different approaches to visual meaning, and the shift in the function of the work of art, as pointed out by Benjamin. The following parts analyze the type of visual meaning developed by recycled images in two picture books written by Neil Gaiman and illustrated by Dave McKean, and one by Shaun Tan. The article suggests that the processes identified by Panofsky in his analysis of meaning in works of art can be successfully associated to a systemic-functional model of visual meaning to reveal the function of recycled images in contemporary picture books.