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Published in 2017 at "Journal of the Acoustical Society of America"
DOI: 10.1121/1.4987619
Abstract: Unreleased stops, lacking a burst, have been claimed to have low perceptibility and are more likely to neutralize place contrasts. While this proposition has been supported by examining no-burst VC fragments spliced from released stops,…
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Keywords:
unreleased stops;
cues unreleased;
acoustic cues;
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1
Published in 2018 at "Journal of the Acoustical Society of America"
DOI: 10.1121/1.5067655
Abstract: Using mathematical modeling, this study aims to characterize distinctive acoustic features of Mandarin tones based on a corpus of 1013 monosyllabic words produced by 21 native Mandarin speakers. For each tone, 22 acoustic cues were…
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Keywords:
distinctive acoustic;
parabola;
tone;
model ... See more keywords
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3
Published in 2023 at "PLOS ONE"
DOI: 10.1371/journal.pone.0283139
Abstract: Many studies showed that prosodic cues such as f0, duration and intensity are used in focus marking cross-linguistically. Usually, on-focus words exhibit expansions of acoustic cues such as f0 expansion, whereas post-focus words may show…
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Keywords:
focus marking;
effects focus;
acoustic cues;
perturbation effects ... See more keywords
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Published in 2022 at "Brain Sciences"
DOI: 10.3390/brainsci12070930
Abstract: In conversational speech, phones and entire syllables are often missing. This can make “he’s” and “he was” homophonous, realized for example as [ɨz]. Similarly, “you’re” and “you were” can both be realized as [jɚ], [ɨ],…
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Keywords:
information;
speech;
use information;
acoustic cues ... See more keywords