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Published in 2021 at "Architectural Histories"
DOI: 10.5334/ah.451
Abstract: At the sixth Milan Triennale in 1936, entitled ‘Continuity-Modernity’, Giuseppe Pagano and Edoardo Persico displayed two divergent but complementary ideological and aesthetic positions: leaning toward classicism and showcasing rural examples, respectively. This article focuses on…
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Keywords:
andare verso;
towards people;
verso popolo;
moving towards ... See more keywords