Estrangement, epochē, and performance: Bertolt Brecht’s Verfremdungseffekt and a phenomenology of spectatorship
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DOI: 10.1007/s11007-020-09507-8
Abstract: During his period of exile in Scandinavia, Bertolt Brecht wrote “I don’t think the traditional form of theatre means anything any longer. Its significance is purely historic; it can illuminate the way in which earlier… read more here.
Keywords: brecht; phenomenology; spectatorship; brecht verfremdungseffekt ... See more keywords