The invisibility of racism: on the reception of Giovanni Vento’s Il Nero and Antonio Campobasso’s Nero di Puglia, 1967-1982
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DOI: 10.1017/mit.2018.31
Abstract: This essay explores attitudes towards home-grown anti-black racism in Italy from the 1960s to the early1980s by focusing on the reception of Giovanni Vento’s Il Nero, a 1965 film that depicts the everyday lives of… read more here.
Keywords: giovanni vento; nero; che; racism ... See more keywords