“China loves Italy”: transnational co-productions between China and Italy behind the mask of market†
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DOI: 10.1080/14649373.2017.1273991
Abstract: ABSTRACT Since the term “transnational cinema” first appeared in 1997, most studies have focused on films epitomizing the logic of either profit maximization or ethnic affinity to explain phenomena such as the mainstreaming of Kung… read more here.
Keywords: china italy; china loves; market; productions china ... See more keywords