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Published in 2020 at "Modern Drama"
DOI: 10.3138/md.63.4.1094
Abstract: This article approaches the concept musical as a form defined by epistemological self-critique. Inviting spectators to affectively engage with its thematic concerns precisely by problematizing the spectators’ pleasurable consumption of musical theatre conventions, the concept…
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Keywords:
concept musical;
company;
love life;
concept concept ... See more keywords