Spain beyond Spain: Contemporary Spanish Music in a Global Context
Sign Up to like & getrecommendations! Published in 2019 at "Contemporary Music Review"
DOI: 10.1080/07494467.2019.1578110
Abstract: Tomás Marco’s ([1983] 1993) essay on Spanish art music through the twentieth century, published by Harvard University Press 25 years ago, and up-to-date when it was published, remains the primary general source for English-language information… read more here.
Keywords: spain beyond; context; contemporary music; spanish music ... See more keywords
‘España es diferente … España cambia de piel’. Of the Festivals of Spain (1954) to the 1st International Biennial of Contemporary Music of Madrid (1964): Avant-Garde Music for the Francoist Technocracy
Sign Up to like & getrecommendations! Published in 2019 at "Contemporary Music Review"
DOI: 10.1080/07494467.2019.1578118
Abstract: 1964 was ‘the Musical Year’ of Franco’s Spain, as part of the ‘XXV Years of Peace’. For that reason, before analysing the I Bienal Internacional de Música Contemporánea [1st International Biennial of Contemporary Music (I… read more here.
Keywords: contemporary music; technocracy; 1st international; international biennial ... See more keywords
What Determines the Perception of Segmentation in Contemporary Music?
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DOI: 10.3389/fpsyg.2020.01001
Abstract: Background This study concerns the perception of musical segmentation during listening to live contemporary classical music. Little is known about how listeners form judgments of musical segments, particularly when typical section markers, such as cadences… read more here.
Keywords: classical music; contemporary music; segmentation; perception ... See more keywords