Articles with "electroacoustic music" as a keyword



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The Terminology of Borrowing

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Published in 2019 at "Organised Sound"

DOI: 10.1017/s1355771819000189

Abstract: This article specifically addresses electroacoustic music compositions that borrow from existing musical and sound resources. Investigating works that borrow and thrive upon existing sound sources presents an array of issues regarding terminology, authorship and creativity.… read more here.

Keywords: terminology borrowing; music; electroacoustic music; article ... See more keywords
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The North Indian Sarode and Questions Concerning Technology

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Published in 2020 at "Organised Sound"

DOI: 10.1017/s1355771819000517

Abstract: In three previous issues of OS (10/1, 2005, 13/3, 2008 and 19/2, 2014) a range of scholars explored non-Western instrumentation in electroacoustic music. These issues addressed concerns about sensitive cultural issues within electroacoustic music. This… read more here.

Keywords: music; electroacoustic music; indian sarode; non western ... See more keywords
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Exploration and Innovation, the Chinese Model of the Musicacoustica-Beijing Festival

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Published in 2018 at "Contemporary Music Review"

DOI: 10.1080/07494467.2018.1453348

Abstract: The Musicacoustica-Beijing festival in Beijing, as the largest scale, highest standard and most widely influential professional electroacoustic music activity in Asia, has aroused great attention and strong reactions from domestic and overseas specialists, scholars and… read more here.

Keywords: exploration; electroacoustic music; beijing festival; musicacoustica ... See more keywords