Fun until the end: The nightclub fantasy in the Italian cinema of the economic miracle
Sign Up to like & getrecommendations! Published in 2019 at "Forum Italicum"
DOI: 10.1177/0014585818821047
Abstract: This article examines the use of the nightclub trope in three films from the early years of the Italian “economic miracle”: Luchino Visconti’s White Nights (1957), Federico Fellini’s Nights of Cabiria (1957), and Michelangelo Antonioni’s… read more here.
Keywords: fun end; ideology; cinema; economic miracle ... See more keywords