The making of a ‘superstar’: the politics of playback and live performance in post-genocide Rwanda
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DOI: 10.1017/s0001972016000747
Abstract: Abstract This article considers the reconstruction of Rwanda's post-genocide music industry through the national music competition, Primus Guma Guma Super Star. It explores local ideas about ‘playback’ and ‘live’ music, and argues that these two… read more here.
Keywords: playback live; post genocide; guma; guma guma ... See more keywords