The Missing View in Global Postsecular Cinema: Crouching Tiger, Hidden Dragon as a Visual Kōan/Gong'an
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DOI: 10.3366/para.2019.0312
Abstract: This article explores intersections between critical theory, Buddhism (Chan/Zen in particular), and film studies in what Jürgen Habermas characterizes as the current ‘post-secular society’. I use Ang Lee's Crouching Tiger, Hidden Dragon (2000) as a… read more here.
Keywords: view; crouching tiger; cinema; hidden dragon ... See more keywords