No land’s man: on remaking the last western in Japan and the politics of revision
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DOI: 10.1080/17564905.2018.1517637
Abstract: ABSTRACT This paper examines the evolution of Hokkaido as a frontier space in the Japanese western, looking in particular at Yurusarezaru mono (Lee Sang-il, 2013). Drawing closely on Clint Eastwood’s Unforgiven (1992), the work has… read more here.
Keywords: last western; man remaking; japan politics; remaking last ... See more keywords