Ad-Hoc Aesthetics: Context-dependent composition strategies in music and sound art
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DOI: 10.1017/s1355771817000231
Abstract: Contemporary trains of thought largely denounce hylomorphism and a series of dichotomies of the past in favour of rather hybrid, all-inclusive and non-anthropocentric schemata. Yet, the former seem to still pervade our understanding of music… read more here.
Keywords: sound art; series; context dependent; composition ... See more keywords
Staging the Kinetic: How music automata sensitise audiences to sound art
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DOI: 10.1017/s1355771818000146
Abstract: Western audiences have long been fascinated with music automata. Against this backdrop, it may not be surprising that art and music curators display historical examples of such mechanical instruments together with contemporary sounding art. Yet… read more here.
Keywords: music automata; sound art; staging kinetic; music ... See more keywords
Grasping the Intimate Immensity: Acousmatic compositional techniques in sound art as ‘something to hold on to’
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DOI: 10.1017/s1355771819000372
Abstract: This article explores the accessibility of acousmatic compositional approaches to sound and installation art. Principally of concern is the consideration of intimacy to create a means of ‘connecting’ with an audience. Installations might be said… read more here.
Keywords: compositional techniques; sound art; acousmatic compositional; visitor ... See more keywords
The Kyoto School and Sound Art
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DOI: 10.1525/res.2023.4.1.69
Abstract: This paper explores the thought of key Kyoto School philosophers Nishida Kitar_ō, Tanabe Hajime, and Nishitani Keiji as a novel framework through which to consider the historical development and philosophical underpinnings of sound art. Connections… read more here.
Keywords: kyoto school; sound art; school sound; school ... See more keywords