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Published in 2017 at "Analytical and Bioanalytical Chemistry"
DOI: 10.1007/s00216-017-0329-3
Abstract: Most of the magnificent wall paintings from the ancient city of Pompeii are decorated with red and yellow colors coming from the ochre pigments used. The thermal impact of the pyroclastic flow from the eruption…
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Keywords:
yellow ochre;
wall paintings;
red ochre;
ochre ... See more keywords
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Published in 2020 at "Microchemical Journal"
DOI: 10.1016/j.microc.2019.104548
Abstract: Abstract The present work reports the new characterization results of the gilding materials used in Cave 171 of Kizil Grottoes, China, which is dated between 5th and 7th Century, A.D. Tiny samples collected from four…
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Keywords:
wall paintings;
gilding materials;
paintings kizil;
materials techniques ... See more keywords
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Published in 2020 at "Studies in Conservation"
DOI: 10.1080/00393630.2020.1770418
Abstract: ABSTRACT Wall paintings are physically indivisible from the built heritage, which makes their conservation difficult. Conservation measures focus on stabilising paintings and slowing deterioration, while preserving significance and authenticity. Achieving these aims is complicated. The…
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Keywords:
wall paintings;
challenges conserving;
conservation;
wall ... See more keywords
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Published in 2019 at "Heritage Science"
DOI: 10.1186/s40494-019-0264-z
Abstract: This study concerns the assessment of a new polyvinyl alcohol–borax/agarose blend hydrogel (PVA–B/AG) tailored for the conservation of ancient Egyptian wall paintings. The increasing problems of deteriorated consolidants affecting ancient wall paintings have attracted the…
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Keywords:
wall paintings;
ancient egyptian;
pva blend;
wall ... See more keywords
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Published in 2024 at "Heritage Science"
DOI: 10.1186/s40494-024-01308-z
Abstract: A diagnostic investigation was carried out on twelfth century Byzantine wall paintings preserved in the Museum of Byzantine and Norman Culture and Figurative Arts of San Marco d’Alunzio (Messina, Italy) on the occasion of recent…
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Keywords:
byzantine wall;
investigation;
marco alunzio;
san marco ... See more keywords
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Published in 2025 at "Applied Sciences"
DOI: 10.3390/app15073690
Abstract: Paint loss is one of the main forms of deterioration in historical wall paintings, generally restored by the application of chromatic reintegration. In the specific case of outdoor exposed paintings, it is essential to find…
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Keywords:
spectroscopy;
colloidal dispersion;
chromatic reintegration;
wall ... See more keywords
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Published in 2021 at "Coatings"
DOI: 10.3390/coatings11091083
Abstract: During the last decades, the discovery of nanolime and its introduction in the field of Cultural Heritage has entailed a significant advance for the consolidation of historic wall paintings. Nevertheless, its use is not completely…
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Keywords:
wall paintings;
consolidation;
treatment;
preventing undesired ... See more keywords
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Published in 2023 at "Coatings"
DOI: 10.3390/coatings13060996
Abstract: The paper illustrates the results of a non-invasive characterisation of pigments and their mixtures in the pictorial surfaces of the wall paintings (10th century) found in the Byzantine church of Palazzo Simi in Bari (Italy).…
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Keywords:
invasive characterisation;
non invasive;
wall paintings;
spectroscopy ... See more keywords
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Published in 2025 at "Coatings"
DOI: 10.3390/coatings15091113
Abstract: The findings of non-invasive, multi-analytical research on two wall paintings located in the Santuario della Beata Vergine dei Miracoli in Saronno (Varese, Italy)—The Marriage of the Virgin and The Adoration of the Christ Child—are presented…
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Keywords:
invasive multi;
bernardino luini;
non invasive;
wall paintings ... See more keywords
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Published in 2023 at "Materials"
DOI: 10.3390/ma16041380
Abstract: In the present study, a diagnostic approach was used to analyze the wall painting in the apse of the Sotterra church at Paola, in the province of Cosenza, Italy. The Sotterra church is nowadays located…
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Keywords:
wall;
wall paintings;
preserve wall;
multianalytical investigation ... See more keywords
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Published in 2020 at "Minerals"
DOI: 10.3390/min11010006
Abstract: Wall paintings in the Roman period were used to decorate both public and private spaces; therefore, they reflect, on the one hand, ideas and convictions, and on the other, daily activities and socio-economic models. Characterizations…
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Keywords:
wall paintings;
isotope analysis;
cinnabar;
paintings roman ... See more keywords