Deleuze’s zeroness and Peirce’s pure zero regarding the expansion of semiotics’ categorial frame
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DOI: 10.1515/sem-2019-0065
Abstract: Abstract Deleuze (1925–1995), in the early 1980s, adopts Peirce’s (1839–1914) semiotics in order to classify the signs that the images of the cinema display. Aiming at insufflating the Peircean principles with the movement that animates… read more here.
Keywords: zeroth state; philosophy; peirce; deleuze ... See more keywords