LAUSR

Women considered to the goddess nature and praised in the form of Land and Rivers, but struggle to buy bread and basics in day today life. Women face violence everywhere in every form such as domestic, gang rape, acid throwing, and sexual violence at work place, dowry death and forced abortion. Acid Attack is worldwide and it is considered to be the most abominable form of gender based violence against women. According to India Today Data Intelligence Unit (DIU) the statistics released by National Crime Records Bureau shows between 2014 and 2018, states that there have been 1,483 victims of acid attack happened in the country. The Victims are taunted, shamed and disfigured for no fault on theirs. It is the need of the hour to examine the gender based violence against Women in India; its cause and consequence, as this is an untold tale in the subparts of the country. On the other hand, Indian Cinema is an effective mass communication medium and continues to evolve. There is always a strong bonding between cinema and Indian Society as it is a cultural role player for Indian Audience as well as immigrants where it promotes the uniqueness of multiculturalism of Indian Society.. The role of Women in Indian Cinema acted between the dichotomy of passive subject and Pleasurable Object. Indian New wave made a shift in the screen and contributed dialogues to women‟s role and position. Women became a subject on lens. The representation of women in Indian cinema still endures with controversy and characterized by diverse interpretations in our Multicultural land. This paper aims to examine the Representation of acid attack survivors in Indian Cinema qualitatively with the help of case studies and Multimodal discourse analysis by interpreting with the Interactive and compositional meaning.